J

Jerry Saltz

113 quotes

Jerry Saltz (born 1951) is an American art critic and columnist who has served as senior art critic for New York Magazine. He won the Pulitzer Prize for Criticism in 2018. Known for his accessible and passionate writing style, Saltz has become one of the most recognizable voices in contemporary art criticism.

“These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.”

— Jerry Saltz

Art

All Quotes by Jerry Saltz

“The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told.”

— Jerry Saltz

Art

“Venice is the perfect place for a phase of art to die. No other city on earth embraces entropy quite like this magical floating mall.”

— Jerry Saltz

Art

“Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art.”

— Jerry Saltz

Art

“'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.”

— Jerry Saltz

Art

“Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.”

— Jerry Saltz

Art

“Artschwager's art always involves looking closely at surfaces, questions what an object is, wants to make you forget the name of the thing you're looking at so that it might mushroom in your mind into something that triggers unexpected infinities.”

— Jerry Saltz

Art

“I see 30 to 40 gallery shows a week, and no matter what kind of mood I'm in, no matter how bad the art is, I almost always feel better afterward. I can learn as much from bad art as from good.”

— Jerry Saltz

Art

“Poor Georgia O'Keeffe. Death didn't soften the opinions of the art world toward her paintings.”

— Jerry Saltz

Art

“In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened everything in America was being questioned.”

— Jerry Saltz

Money

“When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.”

— Jerry Saltz

Art

“The Met is not only the finest encyclopedic museum of art in the United States it is arguably the finest anywhere.”

— Jerry Saltz

Art

“Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.”

— Jerry Saltz

Art

“Robert Rauschenberg was not a giant of American art he was the giant. No American created so many aesthetic openings for so many artists.”

— Jerry Saltz

Art

“Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more high-minded than gallerists.”

— Jerry Saltz

Art

“Many museums are drawing audiences with art that is ostensibly more entertaining than stuff that just sits and invites contemplation. Interactivity, gizmos, eating, hanging out, things that make noise - all are now the norm, often edging out much else.”

— Jerry Saltz

Art

“Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open.”

— Jerry Saltz

History

“I don't know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. I've gawked at the gaudy prices, and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars.”

— Jerry Saltz

Art

“Yes, 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument.”

— Jerry Saltz

Art

“Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.”

— Jerry Saltz

Learning

“Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.”

— Jerry Saltz

Art