J

Jerry Saltz

113 quotes

Jerry Saltz (born 1951) is an American art critic and columnist who has served as senior art critic for New York Magazine. He won the Pulitzer Prize for Criticism in 2018. Known for his accessible and passionate writing style, Saltz has become one of the most recognizable voices in contemporary art criticism.

“The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process to product, and lacks individuality and openness. It's not that art should be seen only in rutty bombed-out environments, but it should seem alive.”

— Jerry Saltz

Art

All Quotes by Jerry Saltz

“The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.”

— Jerry Saltz

Art

“Recessions are hard on people, but they are not hard on art.”

— Jerry Saltz

Art

“It's art that pushes against psychological and social expectations, that tries to transform decay into something generative, that is replicative in a baroque way, that isn't about progress, and wants to - as Walt Whitman put it - 'contain multitudes.'”

— Jerry Saltz

Art

“Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open.”

— Jerry Saltz

History

“The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told.”

— Jerry Saltz

Art

“Too many younger artists, critics, and curators are fetishizing the sixties, transforming the period into a deformed cult, a fantasy religion, a hip brand, and a crippling disease.”

— Jerry Saltz

Religion

“These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.”

— Jerry Saltz

Art

“The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.”

— Jerry Saltz

Art

“Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.”

— Jerry Saltz

Art

“All art comes from other art, and all immigrants come from other places.”

— Jerry Saltz

Art

“Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers they bloom and then they die, then exist only as memories, or pressed in magazines and books.”

— Jerry Saltz

Art

“Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental installations and gigantic sculptures, should the need arise. It has arisen.”

— Jerry Saltz

Art

“Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.”

— Jerry Saltz

Art

“Those who love him love that he sells the most art they take it as a point of faith that this proves Kinkade is the best. But his fans don't only rely on this supply-and-demand justification. They go back to values.”

— Jerry Saltz

Art

“Can space break? I mean the space of art galleries. Over the past 100 years, art galleries have gone from looking like Beaux Arts salons to simple storefronts to industrial lofts to the gleaming giant white cubes of Chelsea with their shiny concrete floors.”

— Jerry Saltz

Art

“The art world is an all-volunteer force. No one has to be here if he or she doesn't want to be, and we should be associating with anyone we want to.”

— Jerry Saltz

Art

“Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.”

— Jerry Saltz

Art

“Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I failed to see them as art.”

— Jerry Saltz

Art

“Venice is the perfect place for a phase of art to die. No other city on earth embraces entropy quite like this magical floating mall.”

— Jerry Saltz

Art

“A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers.”

— Jerry Saltz

Art