J

Jerry Saltz

113 quotes

Jerry Saltz (born 1951) is an American art critic and columnist who has served as senior art critic for New York Magazine. He won the Pulitzer Prize for Criticism in 2018. Known for his accessible and passionate writing style, Saltz has become one of the most recognizable voices in contemporary art criticism.

“I don't know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. I've gawked at the gaudy prices, and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars.”

— Jerry Saltz

Art

All Quotes by Jerry Saltz

“In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It showed me criticism's future.”

— Jerry Saltz

Future

“First let me report that the art in the Barnes Collection has never looked better. My trips to the old Barnes were always amazing, but except on the sunniest days, you could barely see the art. The building always felt pushed beyond its capacity.”

— Jerry Saltz

Amazing

“The art world is molting - some would say melting. Galleries are closing museums are scaling back.”

— Jerry Saltz

Art

“'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.”

— Jerry Saltz

Art

“'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.”

— Jerry Saltz

Art

“Those who love him love that he sells the most art they take it as a point of faith that this proves Kinkade is the best. But his fans don't only rely on this supply-and-demand justification. They go back to values.”

— Jerry Saltz

Art

“The art gods cooked up something special for James Ensor.”

— Jerry Saltz

Art

“A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers.”

— Jerry Saltz

Art

“In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing, we overreact.”

— Jerry Saltz

Art

“Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.”

— Jerry Saltz

Art

“Yes, 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument.”

— Jerry Saltz

Art

“The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world.”

— Jerry Saltz

Art

“Money is something that can be measured art is not. It's all subjective.”

— Jerry Saltz

Art

“The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.”

— Jerry Saltz

Art

“When art wins, everyone wins.”

— Jerry Saltz

Art

“Can space break? I mean the space of art galleries. Over the past 100 years, art galleries have gone from looking like Beaux Arts salons to simple storefronts to industrial lofts to the gleaming giant white cubes of Chelsea with their shiny concrete floors.”

— Jerry Saltz

Art

“Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I failed to see them as art.”

— Jerry Saltz

Art

“Contrary to popular opinion, things don't go stale particularly fast in the art world.”

— Jerry Saltz

Art

“Much good art got made while money ruled I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.”

— Jerry Saltz

Art

“It's art that pushes against psychological and social expectations, that tries to transform decay into something generative, that is replicative in a baroque way, that isn't about progress, and wants to - as Walt Whitman put it - 'contain multitudes.'”

— Jerry Saltz

Art