J

Jerry Saltz

113 quotes

Jerry Saltz (born 1951) is an American art critic and columnist who has served as senior art critic for New York Magazine. He won the Pulitzer Prize for Criticism in 2018. Known for his accessible and passionate writing style, Saltz has become one of the most recognizable voices in contemporary art criticism.

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“I don't know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. I've gawked at the gaudy prices, and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars.”

— Jerry Saltz

Art

All Quotes by Jerry Saltz

“Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.”

— Jerry Saltz

Amazing

“I like that the art world isn't regulated.”

— Jerry Saltz

Art

“Robert Rauschenberg was not a giant of American art he was the giant. No American created so many aesthetic openings for so many artists.”

— Jerry Saltz

Art

“The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.”

— Jerry Saltz

Art

“Jeffrey Deitch is the Jeff Koons of art dealers. Not because he's the biggest, best, or the richest of his kind. But because in some ways he's the weirdest (which is saying a lot when you're talking about the wonderful, wicked, lovable, and annoying creatures known as art dealers).”

— Jerry Saltz

Art

“Kinkade's paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, I'd love to see a museum mount a small show of Kinkade's work. I would like the art world and the wider world to argue about him in public, out in the open.”

— Jerry Saltz

Art

“A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low.”

— Jerry Saltz

Art

“When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.”

— Jerry Saltz

Art

“When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.”

— Jerry Saltz

Music

“Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.”

— Jerry Saltz

Art

“The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over and over, better than I've ever seen them before.”

— Jerry Saltz

Art

“Art is good, bad, boring, ugly, useful to us or not.”

— Jerry Saltz

Art

“Yes, 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument.”

— Jerry Saltz

Art

“Much good art got made while money ruled I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.”

— Jerry Saltz

Art

“The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst on us all because we're not pure enough, good omens appear.”

— Jerry Saltz

Art

“It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed.”

— Jerry Saltz

Art

“Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.”

— Jerry Saltz

Art

“Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.”

— Jerry Saltz

Art

“Art is for anyone. It just isn't for everyone. Still, over the past decade, its audience has hugely grown, and that's irked those outside the art world, who get irritated at things like incomprehensibility or money.”

— Jerry Saltz

Art

“I've always said that an art critic can put aside politics around art.”

— Jerry Saltz

Art