J

Jerry Saltz

113 quotes

Jerry Saltz (born 1951) is an American art critic and columnist who has served as senior art critic for New York Magazine. He won the Pulitzer Prize for Criticism in 2018. Known for his accessible and passionate writing style, Saltz has become one of the most recognizable voices in contemporary art criticism.

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“Recessions are hard on people, but they are not hard on art.”

— Jerry Saltz

Art

All Quotes by Jerry Saltz

“Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in.”

— Jerry Saltz

Art

“John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some new emotion.”

— Jerry Saltz

Women

“Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers they bloom and then they die, then exist only as memories, or pressed in magazines and books.”

— Jerry Saltz

Art

“My culture-deprived, aspirational mother dragged me once a month from our northern suburb - where the word art never came up - to the Art Institute of Chicago. I hated it.”

— Jerry Saltz

Art

“The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.”

— Jerry Saltz

Art

“It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed.”

— Jerry Saltz

Art

“We're all entitled to opinions about how art institutions should behave, and entitled to voicing those opinions through whatever means available to us. We're also allowed to change or modify our opinions.”

— Jerry Saltz

Art

“I have a soft spot for art that, in terms of subject matter and material, is in bad taste.”

— Jerry Saltz

Art

“Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.”

— Jerry Saltz

Art

“'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.”

— Jerry Saltz

Art

“Megacollectors suppose they can enter art history by spending astronomical amounts.”

— Jerry Saltz

Art

“Contrary to popular opinion, things don't go stale particularly fast in the art world.”

— Jerry Saltz

Art

“Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.”

— Jerry Saltz

Art

“I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists.”

— Jerry Saltz

Art

“I like that the art world isn't regulated.”

— Jerry Saltz

Art

“Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open.”

— Jerry Saltz

History

“Too many younger artists, critics, and curators are fetishizing the sixties, transforming the period into a deformed cult, a fantasy religion, a hip brand, and a crippling disease.”

— Jerry Saltz

Religion

“Almost all institutions own a lot more art than they can ever show, much of it revealing for its timeliness, genius, or sheer weirdness.”

— Jerry Saltz

Art

“If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.”

— Jerry Saltz

Art

“After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades - even if it's now close to aesthetic kudzu.”

— Jerry Saltz

Art