“When money and hype recede from the art world, one thing I won't miss will be what curator Francesco Bonami calls the 'Eventocracy.' All this flashy 'art-fair art' and those highly produced space-eating spectacles and installations wow you for a minute until you move on to the next adrenaline event.”
— Jerry Saltz
Art
“Just as Pollock used the drip to meld process and product, Richter 'found' and used the smudge and the blur to ravish the eye, creating works of psychic and physical power.”
— Jerry Saltz
Power
“The style of ancient Egyptian art is transcendently clear, something 8-year-olds can recognize in an instant. Its consistency and codification is one of the most epic visual journeys in all art, one that lasts 30 dynasties spread over 3,000 years.”
— Jerry Saltz
Art
“Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers they bloom and then they die, then exist only as memories, or pressed in magazines and books.”
— Jerry Saltz
Art
“These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.”
— Jerry Saltz
Art
“Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.”
— Jerry Saltz
Art
“Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst synthesizes punk, Pop Art, Jeff Koons, Marcel Duchamp, Francis Bacon, and Catholicism.”
— Jerry Saltz
Art
“There's something pleasing about large, well-lit spaces. I love that dealers are willing to take massive chances in order to give this much room to their artists. Most of all, I love that more galleries showing more art gives more artists a shot.”
— Jerry Saltz
Art
“Abstraction brings the world into more complex, variable relations it can extract beauty, alternative topographies, ugliness, and intense actualities from seeming nothingness.”
— Jerry Saltz
Beauty
“The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.”
— Jerry Saltz
Art
“Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.”
— Jerry Saltz
Art
“The art gods cooked up something special for James Ensor.”
— Jerry Saltz
Art
“Contrary to popular opinion, things don't go stale particularly fast in the art world.”
— Jerry Saltz
Art
“Money is something that can be measured art is not. It's all subjective.”
— Jerry Saltz
Art
“A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers.”
— Jerry Saltz
Art
“Much good art got made while money ruled I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.”
— Jerry Saltz
Art
“Many art-worlders have an if-you-say-so approach to art: Everyone is so scared of missing out on the next hot artist that it's never clear whether people are liking work because they like it or because other people do. Everyone is keeping up with the Joneses, and there are more Joneses than ever.”
— Jerry Saltz
Art
“Art is good, bad, boring, ugly, useful to us or not.”
— Jerry Saltz
Art
“It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.”
— Jerry Saltz
Art
“Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.”
— Jerry Saltz
Art