Jane Campion

Jane Campion

24 quotes

Jane Campion (b. 1954), a New Zealand filmmaker, shaped not only their field but the way we think and talk about identity, creativity, and connection. Their reputation for her feature films with themes of rebellion and often focused on women in leading roles who are outsiders in society, Campion is regarded as one of the prominent female filmmakers in women's cinema lends every quote an extra layer of authority. Discover 29 of Jane Campion's most memorable quotes, ranging across Romantic, Poetry, Imagination, Relationship, and Movies. A favorite of many readers: "As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for others to decide."

“I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.”

— Jane Campion

Art

All Quotes by Jane Campion

“Women often postpone their lives, thinking that if they're not with a partner then it doesn't really count. They're still searching for their prince, in a way. And as much as we don't discuss that, because it's too embarrassing and too sad, I think it really does exist.”

— Jane Campion

Sad

“There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.”

— Jane Campion

Future

“There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.”

— Jane Campion

Art

“I feel that directors at times are like the janitors on the set. I am the secretary, I am the organizer, I am the maid, and I ask if they have eaten or rested. The best things are always out of your control. It's those moments that surpass the imagination that are thrilling.”

— Jane Campion

Imagination

“I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.”

— Jane Campion

Movies

“Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.”

— Jane Campion

Home

“I have to admit that I had a lot of problems with poetry.”

— Jane Campion

Poetry

“You know, sex is actually not so original as the way people love or the stories behind each relationship, which is what you remember. Sex is sex in the end.”

— Jane Campion

Relationship

“I think that the romantic impulse is in all of us and that sometimes we live it for a short time, but it's not part of a sensible way of living. It's a heroic path and it generally ends dangerously. I treasure it in the sense that I believe it's a path of great courage. It can also be the path of the foolhardy and the compulsive.”

— Jane Campion

Courage

“It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.”

— Jane Campion

Amazing

“My musical knowledge is so bad it's embarrassing. When composers discuss music with someone as primitive as myself, they have to talk about it in terms of senses and emotion, rather than keys and tempo.”

— Jane Campion

Knowledge

“Women today are dealing with both their independence and also the fact that their lives are built around finding and satisfying the romantic models we grew up with.”

— Jane Campion

Romantic

“I think I made good movies.”

— Jane Campion

Movies

“With 'Bright Star' and with 'The Piano,' too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film, even if it's contemporary, creates its own world.”

— Jane Campion

Experience

“I didn't like England. I couldn't take the look of the place or the style of friendship. I need more intimacy from people than is considered okay there, and I felt that my personality and my enthusiasms weren't understood. I had to put a big lid on myself.”

— Jane Campion

Friendship

“But I think it's quite clear in my work that my orientation isn't political or doesn't come out of modern politics.”

— Jane Campion

Politics

“I can get very philosophical and ask the questions Keats was asking as a young guy. What are we here for? What's a soul? What's it all about? What is thinking about, imagination?”

— Jane Campion

Imagination

“As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for others to decide.”

— Jane Campion

Poetry

“But short films are not inferior, just different. I think the short gives a freedom to film-makers. What's appealing is that you don't have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem.”

— Jane Campion

Freedom

“I think that the romantic impulse is in all of us and that sometimes we live it for a short time, but it's not part of a sensible way of living. It's a heroic path and it generally ends dangerously.”

— Jane Campion

Romantic